La petite fille qui aimait trop les allumettes (The Little Girl Who Was Too Fond of MatchesOn the Quebec bestseller lists for more than thirty-two weeks, a finalist of France’s prestigious Prix Renaudot, and translated into more than XX languages,
The Little Girl Who Was Too Fond of Matches is the stunning tale of two siblings growing up isolated from the outside world.
Alone with their authoritarian father on an immense estate surrounded by a forest, the pair speak a language and inhabit a universe of their own making. When their father commits suicide, they are forced into contact with the villagers beyond the enclosure and their cloak of romance and superstition quickly falls away to reveal not only the startling truth about themselves to the world but the startling truth about the world to themselves.
Balancing naïveté with carnality, Soucy creates a powerfully gripping story where nothing is as it first seems. His signature playfulness, surprising twists, and fascination with guilt, cruelty, and violence make
The Little Girl Who Was Too Fond of Matches a resounding triumph.
(Text: House of Anansi Press)
“An extraordinary and exceptional writer, [...] a work which naturally places Gaétan Soucy among the greatest of Quebec writers.”
Réginald Martel,
La Presse“A masterpiece. A shocking work, written with great skill.”
Robert Lévesque,
Midi-Culture, Société Radio-Canada
“Gaétan Soucy earns himself a place among the best novelists writing in French today. He is unquestionably the most important revelation of these past few years.”
Pierre Lepape,
Le MondeRead reviews of this book.
« Un roman sur l’enfance, sur la perte de l’innocence. Une fable aussi sur les repères identitaires. »
Philippe Couture -
Radio-Canada / Plus on est de fous, plus on lit !
« Une histoire remarquablement bien construite. »
Marie-Louise Arsenault -
Radio-Canada / Plus on est de fous, plus on lit !
« Un romancier exceptionnel et extraordinaire, [...] une œuvre qui le situe tout naturellement parmi les plus grands écrivains québécois. » Réginald Martel, La Presse
« Un chef-d’œuvre. Une œuvre étrange, parfaitement réussie. » Robert Lévesque, Midi-Culture, Société Radio-Canada
«Gaétan Soucy s’impose aujourd’hui parmi les meilleurs romanciers d’expression française et, sans doute, la plus incontestable révélation de ces dernières années.» Pierre Lepape, Le Monde